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The New Criterion
3 天
Exhibition note
Benjamin Riley on “Sorolla and the Sea,” at the Norton Museum of Art, Palm Beach.
The New Criterion
3 天
Maestro/Ambassador Muti et al.
Rosa Feola, the Italian soprano, does her part in advocating Martucci. (She is a favorite singer of Muti, by the way.) She ...
The New Criterion
4 天
The Critic’s Notebook
On Mondrian, the Orchestra of St. Luke’s, Henry Hobson Richardson, ancient moneymaking & more from the world of culture.
The New Criterion
3 天
Cape Cod’s mermaid surrealist
When the ship’s crew cut into Crook Jaw, they found neither Devil nor mermaid inside, just heaps of yellow seaweed. As it ...
The New Criterion
3 天
The medical outlook
She, too, was a writer, and she sent me a short piece that she had published in a medical journal, which I found to be of ...
The New Criterion
3 天
Municipal decay
Michele H. Bogart on the Taber Sears mural in the New York City Council Chambers ...
The New Criterion
5 天
The big three
Michelangelo Buonarroti, Leonardo da Vinci, and Raphael’s captivating works produce a grand scale of awe and occasion that ...
The New Criterion
3 天
The old gods return
After Warburg died in obscurity in 1929, devotees tended his flame. His memory was preserved above all within the research ...
The New Criterion
3 天
Shaming the true
Nicholas Shrimpton on a recent Globe production of “The Taming of the Shrew.” ...
The New Criterion
3 天
America’s grandest wager
T he Chinese official, speaking at the Harvard Club in New York just before the turn of the century, was sobbing.
The New Criterion
3 天
Arising from the azure main
Jeremy Black on “The Price of Victory,” by N. A. M. Rodger.
The New Criterion
3 天
Writing wrongs
Brooke Allen on “Academic Writing as if Readers Matter,” by Leonard Cassuto.
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