Piano Technique: Fingering Charts: 12 Major Scales (PDF)
Fingering charts in PDF format showing finger choice and placement for the Major Scales over two octaves in both hands…
Piano Scales - 12 major keys with standard fingering Author: Piano Street Subject [DIGITAL PIANO SCORE] Scales in all major keys. Two octaves with fingering. Created Date: 4/24/2006 8:01:50 PM
Note: These are the scale fingerings going UP. To go down, simply start from the right side Note: For 2+ octaves, repeat the pattern but whenever you see a "5" replace it with a "1"
Fingering Charts: 12 Major Scales Two Octaves. Study-Practice Notes: Never play mindlessly and mechanically. Always allow your ears to lead and play with good rhythm. Notice the groups of three (1-2-3) & four (1-2-3-4)... except on the ends when you sometimes use your pinkies. The fingering is the same going up and down.
Scales, arpeggios and cadences, two octaves Margaret Denton, piano Major Scales, Arpeggios, and Cadences, 2 octaves These scales are arranged pianistically by groups according to fingering patterns to facilitate memorization
Major and Natural Minor Scales for Piano with Fingerings Author: Mark Feezell Created Date: 10/18/2011 12:38:15 PM
Learn All Major Scales: Piano Fingering Guide - Free PDF - Hoffman Academy
Learn how to play all major scales on piano with this free download PDF. Feel more confident when playing any major piano scale with our help.
Here at Creative Piano Academy, I do love finding new and interesting ways to learn our core skills through playing actual music. There is no exception with piano scales. There are absolutely awesome, interesting methods we can use to practice our scales but nothing beats (at least to start with) running up and down our scales to get a baseline.
Piano Scale Fingering Charts
Download our piano scale finger charts for the major scale, harmonic minor scale and more. Free printable PDF downloads with notes and fingerings for scales in every key.
Is fingering an important part of technique? Fingering is EVERYTHING! Right there, from the get-go if we don’t get it right, it can certainly become the single most insidious stumbling block to successful playing. So many great composers, pianists and teachers - among them C.P.E.