Literati Painting – China Online Museum
2016年11月20日 · The literati painting or wenrenhua (文人畫) is the ideal form of the Chinese scholar-painter who was more interested in personal erudition and expression than in literal representation or an immediately attractive surface beauty. First formulated in the Northern Song period (960–1127)—at which time it was called shidafuhua (士大夫畫 ...
Wenrenhua | Traditional, Ink Wash & Brushwork | Britannica
wenrenhua, ideal form of the Chinese scholar-painter who was more interested in personal erudition and expression than in literal representation or an immediately attractive surface beauty. First formulated in the Northern Song period (960–1127)—at which time it was called shidafuhua —by the poet-calligrapher Su Dongpo, the ideal of ...
Yuan Dynasty (1271–1368) - The Metropolitan Museum of Art
Drawing on the scholar-official aesthetic of the late Northern Song, Yuan literati painters no longer took truth to nature as their goal but rather used painting as a vehicle for self-expression. In the hands of highly educated scholar-artists, brushwork became calligraphic and assumed an autonomy that transcended its function as a means of ...
Literati | Confucianism, Poetry & Calligraphy | Britannica
Literati, scholars in China and Japan whose poetry, calligraphy, and paintings were supposed primarily to reveal their cultivation and express their personal feelings rather than demonstrate professional skill. The concept of literati painters was first formulated in …
Northern Song Dynasty (960–1127) - The Metropolitan Museum of Art
The literati also applied their new critical standards to painting. Rejecting the highly realistic descriptive style followed by the professional painters of the Imperial Painting Academy, they also departed from the official view that art must serve the state.
Landscape Painting in Chinese Art - The Metropolitan Museum of Art
These men extolled the virtues of self-cultivation—often in response to political setbacks or career disappointments—and asserted their identity as literati through poetry, calligraphy, and a new style of painting that employed calligraphic brushwork for self-expressive ends.
Literati painters specialized in plain ink paintings, sometimes with minimal color. They lay great emphasis on the idea that the style with which a painter controlled his brush conveyed the inner style of his character – brushstrokes were seen as expressions of the spirit more than were matters of composition or skill in realistic depiction.
Literati Painting (Bunjin-ga) - Philadelphia Museum of Art
In the seventeenth century, in response to the ideas of self-expression traveling from China, Japanese artists developed their own, highly sophisticated version of the Chinese literati culture. This school of Japanese painting, called bunjin-ga, or literati painting, was popular among artists who considered themselves to be intellectuals.
Literati painting - Vocab, Definition, and Must Know Facts
Literati painting is an artistic style in East Asia that emphasizes the scholarly values of the literati class, combining poetry, calligraphy, and painting to express personal feelings and intellectual pursuits. This style reflects the ideals of Confucianism and serves as a means for scholar-artists to convey their moral integrity and ...
Researching Chinese Literati Painting in the Freer Sackler Library
2020年10月28日 · To understand literati painting it is important to know what made literati painting peculiar to painting of the Song dynasty (960-1279) and why it became the predominant genre of Chinese painting ever since, even today.
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