This seriousness, like the film itself, was practically buried outside of Japan by an alter ego, 1956’s “Godzilla, King of the Monsters!” American licensors cut the 1954 film apart ...
Rather than start completely fresh, Godzilla Minus One could be the start of a whole new universe for Toho. It would allow the Reiwa era to feel different than what’s come before, and hopefully lead ...