Yet she was introduced to the art of film poster design like most of us: as an audience member. It was the design for The Omen, released in 1976, that sold it to her, and after graduating from Otis ...

“The REA didn’t just need design and advertising to achieve [their] aims; they needed an entire PR campaign, of which Beall’s posters were a significant part,” curator Angelina Lippert tells us. Top: ...